Literature, Film, and Colonization in Africa – Summer Access Sale ($495)

Literature, Film, and Colonization in Africa – Summer Access Sale ($495)

Regular price $995.00 Sale price $495.00
/

🎓 Summer Access Sale

Save 50% through August 31, 2026.

This Digital Educational Collection is available for $495 (regular institutional price $995). If your institution is experiencing exceptional budget limitations, please contact info@africanfilm.com to discuss additional pricing options.

Literature, Film, and Decolonization in Africa

Designed to support teaching in African Studies, Literature, History, Postcolonial Studies, Cultural Studies, Film and Media Studies, and related disciplines, Literature, Film, and Decolonization in Africa offers a direct entry point into the history and legacy of colonialism in Africa through literature and film. Centered on the work of Frantz Fanon and Mongo Beti, it connects political thought, literary critique, and lived experience to show how colonial systems shaped identity, culture, and resistance.

The collection includes:
Frantz Fanon: His Life, His Struggle, His Work
Following the Footsteps of Ville Cruelle
Congo: White King, Red Rubber, Black Death

Frantz Fanon: His Life, His Struggle, His Work introduces one of the most influential voices on decolonization. Following the Footsteps of Ville Cruelle revisits the world of Mongo Beti, grounding his writing in the realities of Cameroon, past and present. Congo: White King, Red Rubber, Black Death exposes the violence and economic exploitation at the core of colonial rule in Central Africa.

Together, Literature, Film, and Decolonization in Africa provides a clear, accessible framework for understanding how colonial histories were constructed—and how they continue to be challenged through writing and cinema. The collection supports discussion on colonialism, decolonization, literature, historical memory, power, representation, and the role of culture in shaping historical narratives.

Purchase includes perpetual institutional streaming access with Public Performance Rights (PPR) to all three films.