ARTMATTAN FILMS LATEST RELEASES
"In Wùlu, Malian cinema has found a promising and intriguing new voice." ~ Pamela Pianezza, Variety
"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider
New Releases - Institutional DVD / DSL
As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.
As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.
22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.
As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.
It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.
By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.
“It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety
“In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF
“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety
“The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa
“One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict
ABOUT THE MAKING OF THE FILM
“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.” ~ Alisa Simon, Variety
Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.
After a half truth lands her under immense financial pressure, Ludi Alcidor embarks on a frantic scour through Miami's private care-taking world in an increasingly desperate attempt to send money to her family in Haiti.
Ludi's interaction with her Cuban landlord and her senior Jewish client, offers a glance at the life of Haitian immigrants in Miami.
Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles
"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist
"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat
"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider
Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.
“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.
Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles
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ABOUT DIRECTOR CHRISTIAN LARA
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Films by region
Double dvds
OTOMO
A powerful film portraying institutionalized racism and police brutality, Otomo provides a convincing look at the everyday world of refugees, who are continuously surrounded by tension and insecurity.
In the summer of 1989, a Stuttgart newspaper reported the true story of a West African asylum seeker who physically assaulted an intolerant subway ticket-taker; fled, and became the target of a city-wide manhunt. Otomo is a sober, fictionalized reconstruction of a tale that shocked Stuttgart, and a gripping portrait of how institutionalized racism drives a disempowered individual to violence and inhumanity.
West African immigrant Frederic Otomo (Isaach de Bankole) lacks the proper papers to be hired for the most menial of jobs; he has survived for eight years with the help of a Catholic charity. Otomo is the target of verbal abuse, is thrown out of his boarding house, and even scorned by neighborhood dogs. He feels and looks out of place. A stoic bubbling pot of wrath on the run, de Bankole's performance establishes Otomo's essence without words-language cannot express the gravity of his situation. As a ticking soundtrack counts down his fated minutes, Otomo is helped by a kind, aging hippie and her granddaughter, establishing the potential for an inclusive German society….if it is not too late...
|Germany|1999|84 mins|drama|German with English subtitles|Frieder Schlaich, dir.|
"I was impressed by the decision to make Otomo a bit of an anti-hero, seeming aware that in desperate times, good people may say or do things outside the norm." -- Greg Dean Schmitz, Greg's previews at Yahoo!Movies
"Documents the institutionalized racism and xenophobia that painted one man into a corner, while never excusing the terrible means by which he took his final escape." -- Jessica Winter, Village Voice
"Much of the sense of size in this account of an immigrant worker, who is only one among many thousands in Germany, comes from the performance by Isaach de Bankole." -- Stanley Kauffmann, New Republic
WAALO FENDO: WHERE THE EARTH FREEZES
Senegal / Switzerland, 1998, 65 mins, drama in Wolof and Italian with English subtitles, Mohammed Soudani, dir.
Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy. It is a story of immigration like so many others but that most people are unaware of. Waalo Fendo illustrates the dehumanization faced by so many immigrants all over the world.
Portrait of two leaders of the Pan-African Liberation Movement: Frantz Fanon and Amilcar Cabral.
Using rare archival footage, director Ana Lucia Ramos Lisboa accurately chronicles both the personal and public sides of an African icon in Amilcar Cabral (Cape Verde/ Portugal, 2001, 52 mins., in Portuguese with English Subtitles). The founder of the African Party for Independence of Guinea Bissau and Cape Verde (PAIGC), Amilcar Cabral led the Liberation Movement against Portugal for those countries.
Frantz Fanon
In the documentary Frantz Fanon: His Life, His Struggle, His Work (Algeria/France, 2001, 52 mins., in French and Arabic with English subtitles), director Cheikh Djemai uncovers and interviews scores of former associates of Frantz Fanon, a psychiatrist, philosopher and political leader. He became a spokesperson for the Algerian revolution against French colonialism, and as the author of Black Skin, White Masks, Fanon documented the effects of colonialism and racism on the people of colonized countries.Amilcar Cabral
Amilcar Cabral was the leader of the Liberation Movement of Cape Verde and Guinea Bissau and the founder of the African Party for the Independence of Guinea Bissau and Cape Verde (PAIGC). He was born in Guinea in 1924 and assassinated in Conakry in 1973. Regarded as a true icon of African history, this documentary provides considerable background to this revolutionary giant and reveals Cabral in several dimensions: as a man, a father, politician, humanist and poet.
The documentary is skillfully produced and uses a wealth of rare archive footage, balanced inclusion of varied testimonies of important African personalities and the credible recreation of notable episodes of Cabral's life.
Two African Griots connect Africa and the World: Youssou N’Dour in Return to Gorée by Pierre-Yves Borgeau, Sotigui Kouyaté in Names Live Nowhere by Dominique Loreau. DVD also includes Youssou N’Dour’s live concert performance on Gorée Island.
RETURN TO GOREE Film and Concert
RETURN TO GOREE follows Senegalese singer Youssou N'Dour's historical journey tracing the trail left by enslaved Africans and the jazz music they invented. Youssou N'Dour's challenge is to bring back to Africa a jazz repertoire of his own songs to perform a concert in Goree, the island that today symbolizes the slave trade and stands to honor its victims. With Youssou N'Dour, Moncef Genoud, Joseph Ndiaye, Idris Muhammad, and Amiri Baraka among others.
DVD includes filmed final concert on the Goree Island.
RETURN TO GOREE / CONCERT, Pierre Yves Borgeaud, Senegal/Switzerland/
Luxembourg, 2006, 108 min. / 52min. In English and French with English subtitles.
NAMES LIVE NOWHERE
NAMES LIVE NOWHERE (Les Noms N'Habitent Nulle Part) - whose title is a Senegalese proverb - a griot (story teller) traveling from Dakar to Brussels weaves a tale about African expatriates and offers a candid look at the life of African immigrants in Belgium. With Sotigui Kouyate - a real life griot - as the story teller.
NAMES LIVE NOWHERE, Dominique Loreau, Belgium, 1994 , 76min. In French with English subtitles.
Two fiction films that explore the life of women in Africa. Set in Burkina Fasso AN UNCOMMON WOMAN is a comedy about a cuckold woman who decides to take a second husband. CAPE VERDE MY LOVE is drama that takes a critical look at the lives of women in contemporary Cape Verde.
AN UNCOMMON WOMAN
Mina is tired of her husband's infidelity and decides to take a drastic decision: She takes a second husband. Based on his conversations with women involved in polygamist relationships, he illustrates - to very funny effects - the daily life of two persons - in this case two men - who share a spouse. On a comedic tone, Abdoulaye Dao tells us a story of jealousy, infidelity, romance and revenge. Directed by Dao Abdoulaye, 2009, 101 min, Burkina Faso, Comedy, French with English subtitles.
An Uncommon Woman-Une Femme Pas Comme Les Autres- was a success in its native Burkina Faso and is cast with some the best actors of Burkinabe cinema.
Official selection, African Diaspora International Film Festival 2010.
CAPE VERDE MY LOVE
Praia, Cape Verde. Laura, Flavia and Bela are childhood friends. Each leads her own life and they sometimes meet to dance, dine and have fun. But one day the calm rivers of their lives break their banks and become wild torrents: Ricardo, Flavia's husband, rapes his pupil Indira, Laura's 13-year old eldest daughter. A film that takes a critical look at the lives of women in Cape Verde .
By Ana Lucia Ramos Lisboa, 2007, Cape Verde, Drama, 77min, Cape Verdean Portuguese w/ English subtitles.
GREAT AFRICAN FILMS: VOLUME 1 : Haramuya & Faraw! Mother of the Dunes - Two films are included in the package, making for an entertaining and edifying double feature experience: Drissa Toure’s Haramuya (1995) is a dramatic comedy about several generations of a traditional Muslim family scraping up against various temptations (crime, movies, drugs, music) of modernity in the city of
FARAW! MOTHER OF THE DUNES
Zamiatou is the mother of two quarrelsome boys and a depressed teenage girl. She is also the wife of a man arrested for political reasons who returns from prison mentally and physically destroyed. She struggles hard to survive in a poor and desolate area. She is ready to face anything to keep the family alive except prostituting her beautiful daughter. Her determination will take her far from her family… Detail by detail, this finely lensed first feature salutes the triumph of human ingenuity over terrible odds.
| Mali|1997| 90min | drama in Songhai with English subtitles | Abbdoulaye Ascofare, Dir. |
Best Actress, FESPACO 1997. Cannes 1997 Official Selection, International Critics Week.
“One of the strongest portraits of female determination to come out of Africa in recent years.” ~ VARIETY
HARAMUYA
Ouagadougou, its buildings and shantytowns... Wealth in a modern town and poverty in the suburbs. Through Fousseini — a Muslim firmly attached to his faith, traditions and family, Haramuya draws a picture of Ouagadougou trapped between modernism and traditionalism. Fousseini tries to take care of his family according to the old precepts and the code of honor inherited from his ancestors. One of his sons is a cinema projectionist and supports all the family against the will of his wife. The other son idles around all day long in Ouagadougou, looking for a girlfriend.
| Burkina Faso/France |1995 | 87min |comedy in French with English subtitles |Drissa Toure, Dir. |
Official selection, Cannes 1995 “Un Certain Regard.”
GREAT AFRICAN FILMS, VOLUME 2: Tasuma / Sia, the Dream of the Python - The second installment in this series of award-winning films from Africa includes Kollo Sanou's Tasuma, the Fighter (2003, 90 minutes, French and Jula with English subtitles), a look at the impact of French colonialism on Africa; Former Senegalese tirailleurs, Burkinabe soldier Sogo Sanou waits patiently for his pension, which he plans to use to build a grain mill for the women of his village; Inspired by the seventh-century myth of the Wagadu people of Western Africa is Dani Kouyate's Sia, the Dream of the Python (2001, 96 minutes, Bambara with English subtitles): To bring back prosperity to his village, a King decides to make a human sacrifice to the mystical snake god; Sia, the most beautiful woman in the village, is chosen for the ritual, but she runs away in revolt. - 186 minutes.
TASUMA, THE FIGHTER
Sogo Sanou, a.k.a. Tasuma, is a former French soldier, a part of the African troops better known as “tiralleurs senegalais” who fought in the French wars in Europe and its colonial territories. He was a soldier in the wars of Indochina and Algeria. Although an honored veteran, Tasuma spends decades painfully waiting for his small pension, an amount that in his native Burkina Faso represents a fortune, even though it will equal only a small fraction of the amount paid to his French counterparts.
In a scene that takes us back to another African classic, The Money Order by Ousmane Sembene, Tasuma impulsively buys a treadmill for the women in his village with the money represented by his future pension payment, although he doesn’t know exactly when it will come through.
The money does not arrive, and our hero is in trouble and out of patience. With his old rifle he walks into the pension plan administrator’s office and demands his money. He ends up in jail, and it is up to the women from the village to come down to the city to free Tasuma. Tasuma the Fighter, is a portrait of a bureaucratic adventure that, even 60 years after World War II and 44 years after the independence movement in Africa, is not yet resolved.
As Kollo Daniel Sanou, the director of Tasuma, points out: “The story of Tasuma is also the narration of a historic mismatch, that of the particular status of those former combatants of the African troupes in the French Army.”
|Burkina Faso|2003| 90min | comedy in French/Moore with English subtitles | Daniel Kollo Sanou, Dir. |
Winner Bronze Yennenga Stallion, FESPACO 2005
"Tasuma camouflages its razor-sharp indignation with warmth and disarming grace" ~ VILLAGE VOICE
"Director and writer Kollo Daniel Sanou is in a becalmed, idyllic state of mind, as he leans back and lets this mildly satiric parable unfold." ~ THE NEW YORK TIMES
SIA: THE DREAM OF THE PYTHON
Kombi is a poverty-stricken city dominated by a tyrant king. In order to bring back prosperity, the king is advised by his priests to make the traditional human sacrifice of a young virgin to a mystical snake god. Sia, the most beautiful young woman of the village, has been designated. Lieutenant Mamadi, her fiancé, rebels against the decision to perform this ritual, and the village becomes divided. Struggles and revelations follow as the characters confront issues of honor, corruption and power.
| Burkina Faso/France |2001 | 96min |Epic Drama in Bambara with English subtitles |Dani Kouyaté, Dir. |
Winner “Special Prize of the Jury” FESPACO 2001 - Official Selection Cannes 2001.
“A delightful, pointed fable of religious and political extremism that's extra-relevant at present” ~ Dennis Harvey - VARIETY
"Delivers a powerful commentary on how governments lie, no matter who runs them" NEW YORK POST
GREAT AFRICAN FILMS, VOLUME 3: Daratt (Dry Season) & The Desert Ark - The third installment in this series of award-winning films from Africa includes Mahamat-Saleh Haroun's Dry Season (2006, 95 minutes, French and Arabic with English subtitles), a subtle and often surprising film from Chad about the relationship between a young man and his father’s killer set at the end of the country’s civil war when the government has granted amnesty to war criminals - and Mohamed Chouikh's The Desert Ark (1997, 90 minutes, Arabic with English subtitles), Two teenagers from opposite sides of the tracks fall in love, their forbidden relationship pitting family against family - 185 minutes.
DARATT (DRY SEASON)
Chad, 2006. The government has granted amnesty to all war criminals. Atim, 16 years old, is given a revolver by his grandfather so that he may kill the man who killed his father. Atim leaves his village for N’djamena, seeking a man he does not know. He quickly locates him: former war criminal Nassara is now married and settled down as the owner of a small bakery. With the firm intention of killing him, Atim gets closer to Nassara under the guise of looking for work, and is hired as an apprentice baker. Intrigued by Atim's attitude toward him, Nassara takes him under his wing and teaches him the secrets of making bread. Over the weeks, a strange relationship evolves between the two. Despite his disgust, Atim seems to recognise in Nassara the father figure he has always needed, while Nassara sees the teenager as a potential son. One day, he suggests adoption.
| Chad | 2006 | 95min | drama in French and Arabic with English subtitles | Mahamat-Saleh Haroun, Dir. |
Winner "Special Jury Prize" Venice Film Festival 2006
Winner Bronze Yennenga Stallion, FESPACO 2007
“Haroun is an uncommonly precise filmmaker who guides Daratt to an unusually satisfying ending.” - TIME OUT NEW YORK
THE DESERT ARK
Romeo and Juliet in the Algerian desert. Amin and Myriam are secretly in love. Their families are rivals and when their relationship is discovered, conflict is inevitable. From inside the cave where they have taken refuge, the two young people hear the cries of a senseless murderous raid. A universal metaphor to denounce the horror of all extremist violence, The Desert Ark is a splendid and terrifying visualization of contemporary reality..
| Algeria | 1997 | 90min |Epic Drama in Arabic with English subtitles | Mohamed Chouikh, Dir. |
Winner “Best Cinematography" Special Jury Prize FESPACO 1999.
GREAT AFRICAN FILMS: VOLUME 4 The fourth installment in this series of award-winning films from Africa includes Moussa Toure's impressive "The Pirogue" and Khady Sylla's incisive docs "Colobane Express" and "The Silent Monologue."
THE PIROGUE / LA PIROGUE
Director: Moussa Toure
From: Senegal / France / Germany
Year: 2012
Minutes: 87mins
Language : French and Wolof with English Subtitles
Genre: Drama
In Moussa Toure's powerful epic fiction film, a group of 30 men and a woman sail to Europe in a pirogue, facing the sea - and the possibility of never reaching their destination - in exchange for the myth of a better life in Europe.
"Senegal, a West African nation on the Atlantic Ocean, was home to Africa's greatest movie-maker, Ousmane Sembene. Today, Moussa Toure follows in the master's footsteps with this drama of 30 men (and one woman, a stowaway) who set out on an illegal 7-day voyage to Spain - making the perilous trip in a pirogue - a boat resembling a vastly oversized dinghy. While sharing a common desire to build a better future, these men hail from different ethnic and religious backgrounds. The story grows from a finely delineated mosaic of personalities - reactions to the journey's mounting danger - that span the emotional panoply of human experience. Toure's compelling tale says as much about the universal nature of courage and perfidy as it does about the economic realities faced by so many of the world's people. THE PIROGUE was featured in Cannes 2012, in the Un Certain Regard section." ~ Film Forum.
* Festival international du Film de Cannes, Un Certain Regard, 2012
* Tanit d'or award, Carthage Film Festival, 2012
* Award for best direction, people's choice award, Angouleme, 2012
* Prix Lumieres award for best French-language film, Locarno International Film Festival
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COLOBANE EXPRESS
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Public vans provide the traditional and sole means of city transportation in Dakar, Senegal. In a frenzy of activity, from the outskirts to downtown, people from all walks of life as well as fruits, vegetables, chickens, etc. are transported daily in these public vans. Colobane Express opens a window on a slice of life in the busy urban metropolis where drivers and their trainees are always on the go, managing relationships, incidents and conflicts, dealing with the competition and providing an invaluable service to demanding yet loving customers. |
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Director: Khady Sylla |
Director: Khady Sylla and Charlie Van Damme From: Senegal / Belgium Year: 2008 Minutes:48mins Language : French and Wolof with English subtitles Genre: Docu-drama |
In a voice-over, we hear the thoughts of Amy, a girl from a rural area of Senegal who works as a domestic for a well-to-do family in Dakar. She complains about her employer, who continuously criticizes her and gets on her case, and she talks about her dream of one day opening her own eatery. Meanwhile, we see her sweep the pavement, prepare the food and clean the house. The contrast with her vast and barren native region is enormous. In Dakar, some 150,000 young women work as housekeepers for families whose daughters can go to school. "Why does the emancipation of some result in the servitude of others?" Amy wonders. The filmmakers interview other young maids who dream of going to school, and they film a woman who shouts her furious lyrics straight into the camera in rapper-like fashion: "I keep your houses squeaky clean, but you all think I'm dirty!" In a dramatized scene in a slum, the women demonstrate how they'd like to deal with a woman who doesn't pay her housekeeper enough. In response to the situation, the filmmakers make an appeal to change the rules of the world economy.
MAMA AFRICA: MIRIAM MAKEBA
DIRECTED BY MIKA KAURISMÄKI
SOUTH AFRICA AND GERMANY / 2011 / ENGLISH / 90 MIN
SYNOPSIS
Miriam Makeba was one of the first African musicians who won international stardom and whose music was always anchored in her traditional South African roots. Miriam Makeba was forced into exile in 1959.
She sang for John F. Kennedy, performed with Harry Belafonte and Nina Simone, was married to Hugh Masekela and also Stokely Carmichael.
Her life was tumultuous. She always stood for truth and justice. She fought for the oppressed most importantly for black Africans, as a campaigner against apartheid. She died November 2008 after a concert in Italy.
Mika Kaurismäki's documentary, traces fifty years of her music and her performing life. Through rare archive footage of her performances and through interviews with her contemporaries we discover the remarkable journey of Miriam Makeba.
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DIRECTOR AND CAST
Director: Mika Kaurismäki
Starring: Hugh Masekela
Starring: Angélique Kidjo
Starring: Harry Belafonte
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GENRES
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BONUS FILM
ACES
DIRECTED BY NTANDAZO "DIDI" GCINGCA
SOUTH AFRICA / 1999 / ENGLISH / 17 MIN
SYNOPSIS
Aces is the story of a young man who fights against the battering of his mother by his drunken father. The situation escalates until Ace desperately stabs his father to death, and is sent to jail for a period of 15 years. Nine years later he is out on parole. He kills again within a day's time of his release.
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DIRECTOR AND CAST
Director: Ntandazo "Didi" Gcingca
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GENRE
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