With Ema diagnosed with terminal cancer, the Siope family searches for healing by confronting intergenerational trauma head on and returning to their homeland of Sāmoa.
The redemptive tale of waka builder and captain Lilo Ema Siope’s final years, the stunning LOIMATA, The Sweetest Tears is a chronicle of journeys. Confronting intergenerational trauma head on, the Siope family returns to their homeland of Sāmoa. For Ema’s father, this is his first time back to his birthplace since leaving in 1959. The result is a poignant yet tender story of a family’s unconditional love for each other, and a commitment to becoming whole again.
By Anna Marbrook, New Zealand / Sāmoa. 2021, 94 minutes, Documentary, English & Samoan with English subtitles
"I walked into this film expecting to see a portrait of a world-renowned ship builder, navigator and sailor, undertaking one of the final voyages of her life. And, in a way, that is what Loimata is. But not in the way I was assuming it would be."~ stuff.co.nz
Themes: First Nation / Women / Sexual Abuse / LGBTQ+ / Family / Healing
FIFO (Festival International du Film Documentaire Océanien), 2021 Grand Prix du Jury
NZTV Awards, 2021 Best Documentary, Winner Best Director, Nominee
Legendary Aboriginal actor and Australian icon David Gulpilil's life has been one of dueling lifestyles, with his jet-setting movie star life on a completely different plane from his life as an Aboriginal village elder, and director Darlene Johnson manages to capture intimate details from both lifestyles in her 2003 biographical documentary Gulpilil: One Red Blood. At the age of 17, Gulpilil made history as the first Aboriginal actor to appear on film -- in Nicolas Roeg's 1971 Walkabout -- which, in turn, led to an historic acting career that culminated in his receiving numerous awards and an Order of Australia medal. All the while, Gulpilil remained true to his culture by accepting his tribal responsibilities, which include living in a primitive house and procuring his household's daily food and water. As Johnson films a number of very candid encounters with the actor in both settings -- David lives in a tent shed and is quite open about the lack of facilities in his abode and the exploitation he’s experienced during his career -- she documents the class differences that still exist between the indigenous population of Australia versus the relatively new white population.
AUSTRALIA / 2002 / ENGLISH, WARLPIRI AND ANMATYERE WITH ENGLISH SUBTITLES / 98 MIN
RESTORED HD VERSION AVAILABLE
The year is 1922 and The Tracker (David Gulpilil, Walkabout, Rabbit-Proof Fence) has the job of pursuing The Fugitive - an aborigine who is suspected of murdering a white woman - as he leads three mounted policemen: The Fanatic, The Follower and also The Veteran across the outback.
The Tracker, a mysterious and enigmatic figure whose true character remains unknown, assists them in their quest. As they move deeper into the bush and further away from civilization, the toxic forces of paranoia and violence begin to escalate, stirring up questions of what is black and what is white and who is leading whom. Their journey becomes an acrimonious and murderous trek that shifts power from one man to another, challenged by the indigenous people they come across as well as each other.
Directed by Dana Rotberg | 2013 | New Zealand | 96mins | Drama | English and Maori with English subtitles.
Based on a novel by Whale Rider writer Witi Ihimaera, White Lies - New Zealand's entry in the 2014 Oscar competition for best foreign-language film - is an intense drama that explores with great humanity and sensitivity such difficult topics as race relations, skin bleaching and abortion.
Paraiti is the healer and midwife of her rural, Maori people - she believes in life. But new laws in force are prohibiting unlicensed healers, making the practice of much Maori medicine illegal. She gets approached by Maraea, the servant of a wealthy woman, Rebecca, who seeks her knowledge and assistance in order to hide a secret which could destroy Rebecca’s position in European settler society. This compelling story tackles moral dilemmas, exploring the nature of identity, societal attitudes to the roles of women and the tension between Western and traditional Maori medicine.
Official Selection Toronto International Film Festival 2013
Director: Dana Rotberg
WHITE LIKE THE MOON
DIRECTED BYMARINA GONZALEZ PALMIER
U.S.A. / 2001 / ENGLISH / 23 MIN
A Mexican-American girl struggles to keep her identity when her mother forces her to bleach her skin. White Like the Moon is a revealing film about a dilemma not very well known outside Latino communities; that of the myth of the light skin superiority in Indigenous and Indigenous descendant communities.