Angels On Diamond Street Trailer - Art HD from ArtMattan Productions on Vimeo.

ANGELS ON DIAMOND STREET

As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.

As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.

22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.

As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.

It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.

By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.

“It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety

“In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF

“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety

“The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa

“One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict

ABOUT THE MAKING OF THE FILM

“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.”  ~ Alisa Simon, Variety

Dancing The Twist in Bamako - Trailer - ArtMattan Films 

DANCING THE TWIST IN BAMAKO

The 1960s were a time of change everywhere, and that includes Bamako, the capital city of Mali, a nation only recently independent from French colonial rule.

DANCING THE TWIST IN BAMAKO is a romance fraught with the drama of political change, infused with the musical energy of that decade. Samba, a young, idealistic socialist, works toward creating a more just nation by day and dances with girlfriend Lara to the Beach Boys, Otis Redding, and the Supremes by night.

The film’s sensibility is inspired by the vibrant images, patterns, and compositions of famed Malian photographer, Malick Sidibé. Lara’s orange silk dress and Samba’s dazzling white suit, shot against the striped backdrop of their dance club and the black and white checked dance floor they cut up — all suggest that change is coming rapidly, that life is for living.

by Robert Guédiguian, France / Canada / Senegal, 2021, 129min, Romantic Drama, French with English subtitles.

"Inspired by the photographs of Malick Sidibé, Dancing the Twist in Bamako (the screenplay of which was written by Robert Guédiguian and Gilles Taurand) does not claim to moralise or substitute for an African perspective. The film relies on the universality of love stories that defy (at the risk of their lives) traditions and ideologies, to weave a story nourished by simplicity, enthusiasm, and even the touching naivety of youth, against the backdrop of a utopia of class struggle confronted by "realpolitik." A dive into the past, punctuated by a multitude of hits from the early 60s whose fragrance of effervescent happiness is tinged with nostalgia and tragedy, like a challenge to time and the dictates of the mind." ~ Fabien Lemercier, Cineuropa

EXECUTIVE ORDER
(Medida Provisória)

Loimata trailer from ArtMattan Productions on Vimeo. 

With Ema diagnosed with terminal cancer, the Siope family searches for healing by confronting  intergenerational trauma head on and returning to their homeland of Sāmoa.

The redemptive tale of waka builder and captain Lilo Ema Siope’s final years, the stunning LOIMATA, The Sweetest Tears is a chronicle of journeys. Confronting intergenerational trauma head on, the Siope family returns to their homeland of Sāmoa. For Ema’s father, this is his first time back to his birthplace since leaving in 1959. The result is a poignant yet tender story of a family’s unconditional love for each other, and a commitment to becoming whole again.

By Anna Marbrook, New Zealand / Sāmoa. 2021, 94 minutes, Documentary, English & Samoan with English subtitles

"I walked into this film expecting to see a portrait of a world-renowned ship builder, navigator and sailor, undertaking one of the final voyages of her life. And, in a way, that is what Loimata is. But not in the way I was assuming it would be." ~ stuff.co.nz

Themes: First Nation / Women / Sexual Abuse / LGBTQ+ / Family / Healing 

AWARDS:

FIFO (Festival International du Film Documentaire Océanien), 2021 
Grand Prix du Jury 

NZTV Awards, 2021
Best Documentary, Winner
Best Director, Nominee

Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.

After a half truth lands her under immense financial pressure, Ludi Alcidor embarks on a frantic scour through Miami's private care-taking world in an increasingly desperate attempt to send money to her family in Haiti.

Ludi's interaction with her Cuban landlord and her senior Jewish client, offers a glance at the life of Haitian immigrants in Miami.

Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles

"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist

"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat

"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider 

MOTO TAXI / BENDSKINS

MOTO TAXI, Narcisse Wandji's first feature film, explores questions and concerns related to the daily life of three Cameroonians, two men and a woman, who manage to make a living working as motorcycle taxis.

Sani, Marie and Franck are three young moto-taxi drivers with unique destinies and stories. Sani has to face Charles, his employer and also father of Samedi, his girlfriend, who is pregnant with his child. Marie, raped five years ago, tries to find Tom, her rapist. And Franck, on his side, must do everything to get rid of the lifeless body of an 8 month old child.

In Moto Taxi, Narcisse Wandji refers both visually and through the dialogues in his film to some important auteurs in African Cinema. Quartier Mozart by Jean-Pierre Bekolo is mentioned casually in a conversation while a Moto Taxi driver explains that the corn on his motorcycle was inspired by Djibril Diop Mambety’s Touki Bouki.

“These references reassure the cinephiles looking for cinematic innovation. The question of cultural identity remains at the heart of the auteur’s work while he/she strives to give a universal feel to his/her creation. “ Pierre Patrick Touko.

Directed by Narcisse Wandji, Cameroon, 2021, 90 mins, drama, French (with English subtitles)

Music Pictures: New Orlean Trailer Art from ArtMattan Productions on Vimeo.

Music Pictures: New Orleans gives us legacy portraits and a rare backstage access into the lives and craft of four New Orleans music legends: Irma Thomas, Little Freddie King, Ellis Marsalis, and The Tremé Brass Band. Now in their 80s, these local masters continue their practice, for the love of the music, in the city that made them who they are.

Thomas, a Grammy-winning vocalist known as “The Soul Queen of New Orleans,” has recorded cult classics with James Brown, Allen Toussaint and Swamp Dogg. But she never enjoyed the same degree of international fame of her contemporaries like Aretha Franklin. Jones is the founder of the world renowned Tremé Brass Band and a fixture in the New Orleans jazz community. King is one of the last original bluesmen who at the age of 81 still performs live. Marsalis - father of internationally acclaimed musician, composer and bandleader Wynton Marsalis - is the patriarch of the famed jazz family who helped found the modern jazz scene in the 1950s. 

Music Pictures: New Orleans follows these four artists one by one as they rehearse, perform and talk about their lives as it celebrates 100 years of New Orleans musical history with rare historical footage and testimonies.

Directed by Ben Chace, 2022, USA, 72 Min, Documentary, English

"Music Pictures: New Orleans is a pleasantly entertaining, early 2020s snapshot of four influential artists in blues and jazz." - Culture Mix

"Sometimes if you’re tired of documentaries that try to push a one-sided political message, a musical documentary can fix that. The documentary Music Pictures: New Orleans is an insightful documentary of a town with a century of a music legacy." ~ Jon The Blogcentric.org

" Music Pictures: New Orleans is a great documentary showcasing musicians, both individuals and groups, and how their sound has an impact not only on the sounds of New Orleans but on musical genres as a whole. It’s as much about its past legacy as it is about its present and future." ~ Jon The Blogcentric.org

When Maria’s husband died, she was told to either leave the sugarcane plantation or to work in the only existent job: cutting and planting cane.

She decided to work in exchange for a miserable wage and a rudimentary barrack she and her five children call home. With that, she was accepting a precarious life without electricity, drinkable water and sanitary services. This is how people are stuck in a house provided by the Company, ensuring that no other basic service neither civil rights are provided, maintaining people in a life of misery. The vast extension of a sugarcane plantation in Dominican Republic offers this deal to thousands of Haitian workers. Some struggle to leave – like Maria’s daughter, with few chances of working in a hotel by the coast. Some others are forced to leave – like Leidy and her baby, when her father-in-law retires after 50 years of work. Yet, some others – like Yudelka and Telemin – organize and try to change the miserable situation everyone is living in the cane fields. They are an obstacle that hinders the functioning of the great machine that is the Plantation.

Directed by Juan A. Zapata, Dominican Republic/Spain, 2021, 76min, Documentary, Spanish w/English subtitles

 " Sugar Cane Malice is the third film from director [Juan A.] Zapata, a native of the Dominican Republic, who is also an architect and visual artist. Both sensibilities are on display in Sugar Cane Malice, which pays particular attention to the built environment of the workers, and contrasts it through a series of helicopter (or drone) shots with modern construction in the island’s cities and the luxurious beach resorts that are beloved of tourists. He also finds beauty even in the sugar cane fields where these workers labor for the benefits of others. Above all, he respects the dignity of his subjects, who haven’t let their difficult lives become their only story." ~ Sarah Boslaugh

AWARDS

FULL FRAME Documentary Film Festival 2021
Official Competition 

Festival des Libertés 2021
Official Competition 

EATSA Art & Tourism is an International Film Festival 2021
Official Competition 

SOMCINEMA Festival (Spain) 2021
Official Competition 

Architecture Film Festival Rotterdam 2021
Official Competition

Segment WULU from ArtMattan Productions on Vimeo.

WÙLU

Shot for a good deal of the time using hand-held cameras, WÙLU is an African thriller that has an urgency and a vibrancy most Western made films lack.

Ladji, (a beautifully understated Ibrahim Koma), is the young man who, after losing his job on the cross-border taxis, takes up smuggling cocaine with lucrative if highly dangerous results.

A social commentary about the impact of corruption on intelligent, hard working African youths looking to improve their standard of living at home.

Official Selection TIFF 2016.

Directed by Daouda Coulibaly, 2016, France/Mali, 95min, crime drama, French w/ English subtitles

"In Wùlu, Malian cinema has found a promising and intriguing new voice." ~ Pamela Pianezza, Variety

"The film's foretold but very understated ending, which keeps a key moment offscreen to devastating effect, again confirms that Coulibaly is a talent to watch." ~ Boyd van Hoeij, Hollywood Reporter

"Coulibaly's Wùlu is a well-acted, fast moving, episodic depiction of some of the issues in contemporary Africa." ~ Alexa Dalby, Dog and Wolf

"A rags-to-riches crime saga like you won't see anywhere else." ~ Brent McKnight, The Last Thing I See

Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.

“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.

Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles