Major Festival Gems
Curated from the spotlight of Europe’s most prestigious film festivals—Cannes, Berlinale, Venice, and Karlovy Vary—this collection showcases celebrated masterpieces that have captivated audiences and critics alike.
Official Selection ACID Cannes Film Festival 2023!
Nome is a historical drama directed by Sana Na N'Hada and written by Virgílio Almeida and Olivier Marboeuf. The story takes place in Guinea-Bissau in 1969, during the war of independence between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea.
The protagonist, Nome, leaves his village and joins the ranks of the guerrillas. After years of struggle, he returns to his village as a hero. However, the initial joy soon gives way to bitterness and cynicism.
By Sana Na N'Hada, Guinea-Bissau/France/Portugal/Angola, 2023, 117min, Drama, Portuguese w/ English subtitles
"Nome is a film over 50 years in the making. In the late 60s, revolutionary Bissau-Guinean Marxist leader Amílcar Cabral sent filmmakers Sana na N’Hada, Flora Gomes, Josefina Lopes Crato and José Bolama to Cuba. To help change international public opinion against the Portuguese colonial regime, they returned to the country to document the struggle. This archive footage forms the basis for the fiction Nome, N’hada following its eponymous character as he joins the resistance movement.
Perhaps Cabral, had he lived to see this movie (assassinated in 1973), would be disappointed, as Na N’hada, returning to one of his first filmmaking projects, complicates a simple resister narrative into a more complex tale of post-colonial legacy and the true cost of war. Things get particularly messy when the occupation is over, colonial occupation giving way to corruption and petty gangsterism on the streets of Bissau, issues that have plagued the country until this day.
Independence, it seems, is just the start. " ~ ACID Cannes 2023
As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.
As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.
22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.
As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.
It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.
By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.
“It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety
“In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF
“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety
“The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa
“One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict
ABOUT THE MAKING OF THE FILM
“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.” ~ Alisa Simon, Variety
WATCH AS FAR AS I CAN WALK IN THEATRES
| THEATRE | CITY/STATE | OPENS |
| IFC Center | New York, NY | June 30, 2023 |
MAMA AFRICA: MIRIAM MAKEBA
DIRECTED BY MIKA KAURISMÄKI
SOUTH AFRICA AND GERMANY / 2011 / ENGLISH / 90 MIN
SYNOPSIS
Mama Africa: Miriam Makeba focuses on the life and influence of the South African singer and civil rights activist, Miriam Makeba. The film's segment concerning her time in the USA is particularly significant, as it showcases her impact on the Civil Rights Movement and her artistic collaborations in the country.
During her time in the United States, Makeba's music and activism became deeply intertwined with the African-American experience. Her marriage to Stokely Carmichael, a prominent figure in the Black Panther Party, marked a crucial period where her artistry and advocacy for African rights gained prominence, but also led to controversy and eventual exile from the USA. The documentary explores how Makeba used her voice not only to enchant American audiences with her music but also to raise awareness about the struggles against apartheid in South Africa, making her a vital cultural and political link between Africa and the African-American community.
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DIRECTOR AND CAST
Director: Mika Kaurismäki
Starring: Hugh Masekela
Starring: Angélique Kidjo
Starring: Harry Belafonte
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GENRES
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BONUS FILM
ACES
DIRECTED BY NTANDAZO "DIDI" GCINGCA
SOUTH AFRICA / 1999 / ENGLISH / 17 MIN
SYNOPSIS
Aces is the story of a young man who fights against the battering of his mother by his drunken father. The situation escalates until Ace desperately stabs his father to death, and is sent to jail for a period of 15 years. Nine years later he is out on parole. He kills again within a day's time of his release.
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DIRECTOR AND CAST
Director: Ntandazo "Didi" Gcingca
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GENRE
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GOODBYE MOMO (A DIOS MOMO)
DIRECTED BY LEONARDO RICAGNI
URUGUAY / 2005 / SPANISH WITH ENGLISH SUBTITLES / 100 MIN
SYNOPSIS
Obdulio is an 11-year-old Afro-Uruguayan boy who lives with his grandmother and sells newspapers for a living while he cannot read or write. Obdulio is not interested in going to school until he finds out that the night watchman of the newspaper's office is a charismatic magical "Maestro" who not only introduces him to the world of literacy but also teaches him the real meaning of life through the lyrics of the "Murgas" (Carnival Pierrots) during the mythical nights of the irreverent and provocative Uruguayan carnival.
With a poetic nod to Fellini, Leonardo Ricagni uses the carnival atmosphere to transport the viewer to a magical place where realism and surrealism live side by side in Uruguay—and what a wonderful place to be. With sweeping directorial vision and gorgeously shot with rich, vibrant colors, A DIOS MOMO achieves a rich visual and spiritual sensibility unparalleled today. – Shaz Bennett AFI Fest 2005
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DIRECTOR AND CAST
Director: Nick Hughes
Starring: Jorge Esmoris
Starring: Mathias Acuna
Starring: Washington Luna
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GENRES
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BONUS
CANDOMBE
DIRECTED BY RAFAEL DEUGENIO URUGUAY / 1993 / SPANISH WITH ENGLISH SUBTITLES / 16 MIN
SYNOPSIS
More than two hundred years ago, there was an influx into Uruguay of enslaved Africans whom, after being freed, continued to make up the poorest and most marginalized strata in society. Fernando Nunez, a black man, a musician, and a maker of drums, sees himself as the heir to "Candombe", an important social and cultural legacy from his enslaved forefathers. The official history and culture of Uruguay, on the other hand, which has never acknowledged this contribution to the degree which it deserves, continues to marginalize expressions of black culture. Fernando Nunez and his friends from the Barrio Sur back street quarter of Montevideo have decided to fight to keep these important cultural roots alive in the consciousness of the Uruguayan people.
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DIRECTOR AND CAST
Director: Rafael Deugenio
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GENRES
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FARAW! MOTHER OF THE DUNES
DIRECTED BY ABBDOULAYE ASCOFARÉ
MALI / 1997 / SONGHOÏ WITH ENGLISH SUBTITLES / 90 MIN
SYNOPSIS
Zamiatou is the mother of two quarrelsome boys and a depressed teenage girl. She is also the wife of a man arrested for political reasons who returns from prison mentally and physically destroyed. She struggles hard to survive in a poor and desolate area. She is ready to face anything to keep the family alive except prostituting her beautiful daughter. Her determination will take her far from her family…
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DIRECTOR AND CAST
Director: Abbdoulaye Ascofaré
Starring: Aminata Ousmane
Starring: Balla Moussa Keita
Starring: Safiatou Mahamane
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GENRES
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Curated from the spotlight of Europe’s most prestigious film festivals—Cannes, Berlinale, Venice, and Karlovy Vary—this collection showcases celebrated masterpieces that have captivated audiences and critics alike.