Sugar Island

Set amidst the sugarcane fields of the Dominican Republic, Sugar Island follows Makenya, a young Dominican-Haitian woman facing an unwanted pregnancy while navigating a legacy of colonial violence, racial discrimination, and labor exploitation.

Through Makenya’s eyes, the film unfolds a complex story about the intersections of ethnicity, gender, immigration, and class—echoing the lived experiences of many in the Afro-Caribbean diaspora. Gómez Terrero’s unique "kaleidoscopic aesthetic"—which blends documentary realism, spiritual symbolism, and theatricality—elevates this coming-of-age drama into a visually rich, emotionally layered exploration of identity and resistance.

Spain/Dominican Republic, 2024, 91 mins, drama in Haitian and Spanish (with English subtitles), Johanne Gomez Terrero, dir. 

“Johanné Gómez Terrero blends tradition and spirituality, the literal and the allegorical, in a beautifully made and deeply touching fiction feature debut. The themes of labour rights, protests against the mechanisation of the sugar industry, and decolonial thought make Sugar Island a syncretic, politically engaged work that avoids all traces of didacticism. On the contrary, the film’s gorgeous look, thanks to lensing by Alván Prado, alludes to the many layers of reality and beyond" ~ Savina Petkova, Cineuropa

Sugar-Cane-Malice-Trailer from ArtMattan Productions on Vimeo.

When Maria’s husband died, she was told to either leave the sugarcane plantation or to work in the only existent job: cutting and planting cane.

She decided to work in exchange for a miserable wage and a rudimentary barrack she and her five children call home. With that, she was accepting a precarious life without electricity, drinkable water and sanitary services. This is how people are stuck in a house provided by the Company, ensuring that no other basic service neither civil rights are provided, maintaining people in a life of misery. The vast extension of a sugarcane plantation in Dominican Republic offers this deal to thousands of Haitian workers. Some struggle to leave – like Maria’s daughter, with few chances of working in a hotel by the coast. Some others are forced to leave – like Leidy and her baby, when her father-in-law retires after 50 years of work. Yet, some others – like Yudelka and Telemin – organize and try to change the miserable situation everyone is living in the cane fields. They are an obstacle that hinders the functioning of the great machine that is the Plantation.

Directed by Juan A. Zapata, Dominican Republic/Spain, 2021, 76min, Documentary, Spanish w/English subtitles

 " Sugar Cane Malice is the third film from director [Juan A.] Zapata, a native of the Dominican Republic, who is also an architect and visual artist. Both sensibilities are on display in Sugar Cane Malice, which pays particular attention to the built environment of the workers, and contrasts it through a series of helicopter (or drone) shots with modern construction in the island’s cities and the luxurious beach resorts that are beloved of tourists. He also finds beauty even in the sugar cane fields where these workers labor for the benefits of others. Above all, he respects the dignity of his subjects, who haven’t let their difficult lives become their only story." ~ Sarah Boslaugh

AWARDS

FULL FRAME Documentary Film Festival 2021
Official Competition 

Festival des Libertés 2021
Official Competition 

EATSA Art & Tourism is an International Film Festival 2021
Official Competition 

SOMCINEMA Festival (Spain) 2021
Official Competition 

Architecture Film Festival Rotterdam 2021
Official Competition

Kafe Negro Trailer from ArtMattan Productions on Vimeo.

Kafe Negro: Cuba & The Haitian Revolution is a film that explores the social, economic & historical ramification of the Haitian Revolution on Cuba.

Kafe Negro tells the story of migrations around a small grain that became the second most important raw material on the global market. This film tells the story of the waves of migration of Haitian workers who, over time, profoundly transformed the culture and demographics of Cuba and developed coffee growing on the island.

Directed by Mario Delatour | Cuba & Haiti | 52min | 2020 | Documentary | French and Spanish with English subtitles

Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.

"Ludi," directed by Edson Jean, is a compelling exploration of the Haitian immigrant experience set in the vibrant community of Little Haiti in Miami. The film follows the resilient protagonist, Ludi, portrayed by the talented Shein Mompremier, as she grapples with the challenges of forging a new life in America. In the pursuit of the elusive American dream, Ludi confronts the harsh realities of the immigrant experience.

Edson Jean's directorial finesse captures the nuances of cultural identity, economic struggle, and the indomitable spirit that propels individuals to persevere against adversity.  The film not only sheds light on the immigrant narrative but also serves as a poignant reflection on the strength and resilience of those who dare to seek a better life in a new land. "Ludi" stands as a significant contribution to the cinematic exploration of diasporic experiences within the Afro-Caribbean context.

Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles

"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist

"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat

"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider 

THE LAST MEAL

The Last Meal: Where the flavors of Haiti bridge a lifetime of silence.

After twenty years of silence, a dying Reynold asks his estranged daughter, Vanessa, to share his final meals. As she prepares the traditional Haitian dishes of his youth, the familiar flavors unlock painful, buried memories of his life and suffering under the Duvalier dictatorship.

Set against this backdrop of the Duvalier era, The Last Meal is a poignant tale of reconciliation, exploring the power of food, cultural memory, and confronting the past to heal fractured family bonds within the Haitian experience. A beautifully crafted film about legacy, healing, and the stories we carry in our bodies and kitchens.

Canada, 2024, 111 mins, Drama in English, Maryse Legagneur, dir. 

“In this film, humanity, dignity, and beauty stand in opposition to the worst atrocities.”
— Manon Dumais, La Presse

Awards and recognition
• Grand Prix — Quebec City Film Festival
• Marimbas Award (Top Jury Prize) — Miami Film Festival
• Best Narrative Feature — Montreal International Black Film Festival
• Best First Feature — Kingston Canadian Film Festival

LOOKING FOR LIFE (CHERCHER LA VIE) 

MARIE MADELEINE

Following her acclaimed debut Freda, award-winning Haitian filmmaker Géssica Généus returns with a visually striking and emotionally resonant drama that premiered in the Official Selection (Cannes Première) at the 2026 Cannes Film Festival and screened at the 2026 Toronto International Film Festival (TIFF). 

Set against the sensory-rich backdrop of Jacmel, Haiti—where the sea, local churches, and spiritual traditions shape daily life—the film follows Marie Madeleine (Généus), a fiercely independent sex worker who lives entirely on her own terms.

When her path crosses with Joseph (Béonard Monteau), a devout young evangelist whose faith is beginning to fracture, an unlikely bond develops between the two social opposites. As Joseph is drawn into Marie Madeleine's bohemian circle, the film explores the profound tensions between societal repression and personal freedom, institutional religion, morality, and individual autonomy.

Marie Madeleine offers academic and general audiences a powerful, nuanced lens into contemporary Haitian social realities, making it an exceptional resource for classroom discussions on modern global cinema, intersectional gender dynamics, and post-colonial cultural identity.

The film can support classroom discussion in Haitian and Caribbean Studies, African Diaspora Studies, Gender and Women’s Studies, Religion, Francophone Studies, Film Studies, Sociology, and Cultural Studies.

Directed by Gessica Geneus, 104 minutes, 2026, Haiti, France, Belgium, Luxembourg, Canada, Drama, French, Haitian (with English subtitles)

• “Marie Madeleine is an unforgettable experience... a captivating look at identity that ranks among the year's best works.” — Courtney Small, That Shelf / Rotten Tomatoes

• “Géssica Généus fashions an intoxicating vision of the clashing realities of her characters... balancing the many elements underscoring life in Haiti.” — Barbara Goslawski, Screen Anarchy

• “[The film] provides such soaring visuals, it's easy to have an unshakeable faith in its ambitious aims.”— Robert Daniels, RogerEbert.com

• “Succeeds by navigating these many contradictions and, in doing so, paints portraits of three-dimensional characters in ways that are both rare and remarkable.”— Jason Gorber, Next Best Picture

• “A vibrant painting that shifts, swells, and holds you close until a quiet epiphany blooms within.”— Film Fest Report (Cannes Review)

Haiti Through Film

Designed to support teaching in Caribbean Studies, Africana Studies, Latin American & Caribbean Studies, Sociology, History, Global Studies, Film and Media Studies, and related disciplines, Haiti Through Film examines how historical legacies, global economic structures, and migration intersect in lived experience.

The collection includes:
• Looking for Life
• The Last Meal
• Ludi 

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