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As Far as I Can Walk Trailer - Art from ArtMattan Productions on Vimeo.
As Far as I Can Walk is a 2021 internationally co-produced drama directed by Serbian Oscar-nominated director (for his 2003 short film '(A)Torsion') Stefan Arsenijevic that follows a couple who left Ghana with a dream of a better life in Europe and now live as refugees in Belgrade.
22-year-old Siisi, nicknamed Strahinja, is doing everything to integrate in Serbia. He volunteers for the Red Cross in the camp where he lives, looks for work, plays on the local football team... His biggest challenge, however, is to win back the woman he loves. When she disappears one day, Strahinja sets out to find her.
As Far as I Can Walk is a re-imagining of a traditional medieval epic in which contemporary African migrants take the place of Serbian national heroes. Urgent and timeless at the same time, the adaptation raises questions about identity, tradition, race and love.
It premiered at the 55th Karlovy Vary International Film Festival in 2021 where it won five prizes including the main Grand Prix – Crystal Globe and the Best Actor honor awarded to Ibrahim Koma for his starring performance in the film.
By Strahinja Banović / Serbia / France / Luxembourg / Bulgaria / Lithuania / 2021 / 92 min / English and Serbian with English Sub.
“It’s a surprising and exhilarating blend of contemporary refugee story, love triangle and medieval Serbian poem.” ~ Alisa Simon, Variety
“In his masterfully directed picture Stefan Arsenijević delivers a crystal clear, humanistic account of the need to find one’s place in the world; this is also a tale of love, the most profound testimony of which might also be the most painful.” ~ Lenka Tyrpáková, Karlovy Vary FF
“Arsenijević's film is vividly crafted and performed. The predominantly English-language film should gather interest [ ] on the strength of its topicality and emotional accessibility.” ~ Guy Lodge, Variety
“The refugees are presented as broken and poor, but dignified, and as opposed to many other similarly themed films, we get real, flesh-and-blood characters in Strahinja and Ababuo, with well-defined personalities, pasts and hopes for the future. And therein lies the film's greatest strength: both actors are positively magnetic on the screen, but especially Koma, whose drive and extraordinary charisma often collide with Mensah-Offei's pride and headstrong ambition.” ~ Vladan Petkovic, Cineuropa
“One of Arsenijevic’s avowed goals with As Far as I Can Walk was to portray refugees as distinct individuals with inner lives, dreams and aspirations, not just blank statistics. In this he is admirably successful.” ~ Stephen Dalton, Verdict
ABOUT THE MAKING OF THE FILM
“Arsenijević’s hometown Belgrade marks an important point on the Balkan migrant route. A few years ago, he could see thousands of new refugees arriving every day. He says, “Having my own experience of war and poverty in the 90s, I could easily identify. I started talking with migrants, hearing their experiences. There was this moving story of epic proportions happening right in front of me. It was just important to find the right angle to tell it.” As the migrant crisis grew, many locals promulgated paranoid fears that migrants would take over European culture by imposing their own. “National identity and national heritage are touchy subjects in my country,” says Arsenijević. “So, it occurred to me: what if I replace Serbian national heroes with contemporary African migrants? I thought this could provide some interesting perspectives.” ~ Alisa Simon, Variety
WATCH AS FAR AS I CAN WALK IN THEATRES
| THEATRE | CITY/STATE | OPENS |
| IFC Center | New York, NY | June 30, 2023 |
Trailer LUDI Art.mp4 from ArtMattan Productions on Vimeo.
After a half truth lands her under immense financial pressure, Ludi Alcidor embarks on a frantic scour through Miami's private care-taking world in an increasingly desperate attempt to send money to her family in Haiti.
Ludi's interaction with her Cuban landlord and her senior Jewish client, offers a glance at the life of Haitian immigrants in Miami.
Directed by Edson Jean, USA, 2021, 81 Minutes, drama, English and Haitian Creole with English subtitles
"Jean's "Ludi" is the type of low-stakes drama that's easy to root for, and even more wonderful to see" - Robert Daniels, The Playlist
"This is one of the best films of the year so far, and that comes as a result of the hard work and dedication from everyone involved." - Kyle Bain, Film Threat
"An examination of the difficulties inherent in that so-called American Dream, with a magnetic lead performance from Shein Mompremier. Ludi is a charming, tragic, painful, and beautiful film to behold." -Aaron Peterson, Hollywood Outsider
Official Selection ACID Cannes Film Festival 2023!
Nome is a historical drama directed by Sana Na N'Hada and written by Virgílio Almeida and Olivier Marboeuf. The story takes place in Guinea-Bissau in 1969, during the war of independence between the Portuguese colonial army and the guerrillas of the African Party for the Independence of Guinea.
The protagonist, Nome, leaves his village and joins the ranks of the guerrillas. After years of struggle, he returns to his village as a hero. However, the initial joy soon gives way to bitterness and cynicism.
By Sana Na N'Hada, Guinea-Bissau/France/Portugal/Angola, 2023, 117min, Drama, Portuguese w/ English subtitles
"Nome is a film over 50 years in the making. In the late 60s, revolutionary Bissau-Guinean Marxist leader Amílcar Cabral sent filmmakers Sana na N’Hada, Flora Gomes, Josefina Lopes Crato and José Bolama to Cuba. To help change international public opinion against the Portuguese colonial regime, they returned to the country to document the struggle. This archive footage forms the basis for the fiction Nome, N’hada following its eponymous character as he joins the resistance movement.
Perhaps Cabral, had he lived to see this movie (assassinated in 1973), would be disappointed, as Na N’hada, returning to one of his first filmmaking projects, complicates a simple resister narrative into a more complex tale of post-colonial legacy and the true cost of war. Things get particularly messy when the occupation is over, colonial occupation giving way to corruption and petty gangsterism on the streets of Bissau, issues that have plagued the country until this day.
Independence, it seems, is just the start. " ~ ACID Cannes 2023
Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.
“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.
Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles
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ABOUT DIRECTOR CHRISTIAN LARA
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