SYNOPSIS

Sami and his wife Sarah are packing to move to the USA where they intend to open a restaurant. Rania, Sarah's sister, goes to their house to take them to the airport, but some unexpected and unforeseeable events take place in the apartment: games of seduction, murder and dead bodies to be disposed of. A surrealist comedy by Ahmed Hassouna who belongs to a new group of young promising Egyptian filmmakers. 

SYNOPSIS

SYNOPSIS

Eleven year old Mariam works as a domestic to provide for her guardian, her unemployed Uncle Djimet, and his family. Mariam wakes up early each day to go to work while Djimet, his wife Isabelle and their children are still asleep. Mariam works as an all-purpose maid, housekeeper, cook and baby sitter for the Nadji family. With her many tasks, she is constantly under pressure from Nadji and his son Moussa, and must answer to the whims of his wife, and young children. One day, Mariam is arrested for having unwittingly thrown rubbish in a prohibited place. She is detained for five days in prison without her uncle or employer even inquiring of her whereabouts. "Childhood destroyed" denounces the living conditions of young girls in Chad in a delicate yet powerful way.

Public vans provide the traditional and sole means of city transportation in Dakar, Senegal. In a frenzy of activity, from the outskirts to downtown, people from all walks of life as well as fruits, vegetables, chickens, etc. are transported daily in these public vans. Colobane Express opens a window on a slice of life in the busy urban metropolis where drivers and their trainees are always on the go, managing relationships, incidents and conflicts, dealing with the competition and providing an invaluable service to demanding yet loving customers.

Fevers, winner of FESPACO - Africa's largest film festival - 2015 grand prize, the Golden Stallion of Yennenga, is a French version of We Need to Talk About Kevin about a disturbed young man raised on foster care who enters his father's Muslim household in the suburbs of Paris and becomes a major source of disruption in the family.

At only thirteen, Benjamin is a little soldier at war with life, adults and with himself. Since the age of five, the troubled kid goes back and forth into foster homes. But when his mother goes to jail and reveals to Benjamin the existence of his father, the young boy is determined to get out of foster care. So when the social worker gives him the choice, he decides to go live at his unknown father's place.

Director's creative statement

Fevers could have been, filmed in any city, but I chose to shoot this story in a working class neighborhood. In terms of writing and directing the movie breaks stereotypes, it has a more modern and contrasted vision of that world.

In the suburbs, everything is intense, extreme and violence prevails as well, however there's also poetry and a great joy for life and as a storyteller that's what inspired me about it. The people living in this neighborhood are funny, easy to become attached to and especially human. That humanity is a beautiful cinematographic tool, because it holds emotions and, as a director, I only strive towards emotions.

The work on the picture has been carried out in the same poetical approach, I gave the image a soft grain noise in order for it to work in contrast with the story's toughness; I built a rather polished image with very well arranged shots so as to transport the audience to another dimension. Graphically. I worked a lot on the buildings architecture and on the lines in order to enhance their geometry. The idea was to make the tall buildings seem like living beings following the rhythm of the characters pulses.

The story is naturalistic, but I decided to go with very firm viewpoints in terms of light with a lot of contrasts and vivid colors. Work on the set decoration was carried out in that same optic, some walls were painted in green, blue or red, this way every character had a color that attunes to him. Lastly, the work on sound and music was also based on that same need for contrast, with the aim, here again, to transport the viewer to another universe.

Hicham Ayouch

SYNOPSIS

This exploration of Haitian society of the late 19th and early 20th centuries focuses on the tormented life of one of Haiti’s most important authors and prominent political figures, Jacques Roumain. In his perceptive writings, Roumain raised questions about the issues facing Haiti that remain relevant today.

Some of Jacques Roumain’s best writings were translated by the legendary African-American poet Langston Hughes. The question is raised: what legacy has Jacques Roumain left for the future of Haitian youth.

For more information about Jacques Roumain click here. 

SYNOPSIS

In January 2015, the President of the Democratic Republic of Congo, Joseph Kabila, sought a constitutional amendment that would allow him to be elected president for a third time.

This film documents the resulting demonstrations and follows three protagonists of the resistance. Ben, who lives in exile in New York, takes the advice of his fellow countrymen in exile and decides to join the struggle in the Congo. Jean Marie, who has just been released from prison, continues his public campaign for his country’s freedom and is persecuted by the secret service. Christian fights unperturbed in the streets of Kinshasa, even after former Prime Minister Etienne Tshisekedi, on whom the opposition had pinned their hopes, dies and the movement against Kabila’s extension of his time in office seems paralysed.

Should one resist in exile, or fight on the ground in the Congo? Should resistance be non-violent or should force be used if required? Filmed throughout with a handheld camera that stays very close to the protagonists, even in precarious conditions, Dieudo Hamadi explores the pros and cons of different forms of resistance.

SYNOPSIS

This animated film exquisitely recounts the tale of tiny Kirikou born in an African village in which Karaba the Sorceress has placed a terrible curse. Kirikou sets out on a quest to free his village of the curse and find out the secret of why Karaba is so wicked.

Lisa Nesselson of Variety (11/1/99) notes: "KIRIKOU AND THE SORCERESS employs snappy visuals to tell a catchy story for all ages. A blend of African folktales "Kirikou" has both humor and flair." KIRIKOU depicts a precocious newborn infant who battles ignorance, and so-called evil, with endearing perseverance. This film speaks to the child within us all who yearns to express and defend the best in others and ourselves. KIRIKOU's stunning visuals are accented by a traditional music soundtrack by African music giant Youssou N'Dour of Senegal.

"A blend of African folktales Kirikou has both humor and flair. Kirikou and the Sorceressemploys snappy visuals to tell a catchy story for all ages." - Lisa Nesselson of Variety 

“Kids will love Kirikou and the Sorceress, an offbeat carton feature about an alarmingly brainy tot. The lesson taught by Kirikou, that an evildoer actually is someone in pain, is a good one for kids to learn early” - The Record

“In its 16-year history, the Chicago International Children’s Film Festival’s two juries – one comprising children, the other adults – had never given their top prized to the same film, until last year, when both juries honored Kirikou and the Sorceress, a beautifully animated first feature by French filmmaker Michel Ocelot about an African boy’s battle with an evil witch for the soul of his people. Filled with lessons about morality, bravery, selflessness and compassion, Kirikou and the Sorceress is top-shelf family entertainment.” - Chicago Tribune.

“Kirikou and the Sorceress is magic from a clear sky. Dazzlingly painted images limn forth this folklore based animated feature by French-born, Guinea-raised Michel Ocelot. A newborn toddler whose simple powers are speed, mischief and ingenuity outwits an evil sorceress who comes on like a bead-bedecked Gloria Swanson. In the best tradition of National Geographic ethnography, everyone is naked, beads apart, and the scenery is gorgeous. Kirikou and the Sorceress is funny, charming, wise, beautiful, and exciting…” Arts section - Financial Times

"Should appeal to younger children and to adults who can appreciate its quiet pleasures." -- Eric Harrison, Houston Chronicle