The Wall Street Boy, Kipkemboi

“The Wall Street Boy / Kipkemboi" tells the story of a young math genius from rural Kenya who uses his understanding of patterns in nature to develop a successful stock market algorithm. His remarkable success from a makeshift setup in his village draws attention from international financiers and local authorities, forcing him and his girlfriend Chepchirchir to flee.

This fictional film explores themes of innovation, resourcefulness, and the clash between tradition and modernity. It serves as a valuable educational resource, prompting discussions on financial literacy, ethics in global finance, and the socio-economic dynamics of contemporary Africa.

Kenya/Canada, 2024, 90 mins, drama in English, Charles Uwagbai, dir. 

“The Wall Street Boy, Kipkemboi has a strong socially conscious subtext as the village youth becomes a political prisoner. If redistribution of wealth to the least of these among us is a socialist principle, suffice it to say that “Kipkemboi” cleverly achieves this – but through exploiting the capitalist system. The film also is very positive about the role of women as strong equals. Not only is Kipkemboi’s mother supportive, but Chipchirchir is no mere cheerleader. She does more than inspire Kipkemboi; she drives their getaway vehicle and this village lass has dreams of her own, aspiring to become an attorney. Watching the romance of the appealing leads blossom is also beguiling." ~ Ed Rampell, The Progressive Populist

SCREENINGS:

TIME AND JUDGEMENT: A DIARY OF A 400 YEAR EXILE

Village Keeper (TIFF 2024)

A Canadian Screen Award winner (including Best First Feature, 2025), Village Keeper is a powerful testament to the strength of Black motherhood and a stirring love letter to the Black women who serve as the bedrock of their communities. Jean, a widow haunted by grief and determined to protect her children, finds herself at a breaking point. When a therapist gently asks, “How will you help your children without having helped yourself first?” she begins a path toward healing. The latest jewel of Black Canadian cinema, Village Keeper is a beautifully crafted, sensitive, and unforgettable story of resilience, sacrifice, and emotional truth.

From the islands to the city, Village Keeper celebrates a mother’s unbreakable spirit, a family’s enduring love, and Black healing. 

Canada, 2024, 82 mins, drama in English, Karen Chapman, dir. 

“Village Keeper is a film that goes beyond trauma into the story of recovery and connection to joy, setting a new standard in storytelling. Writer-director Karen Chapman has taken a well-worn single mother story to a new level of relevance that is, in a word, outstanding." ~ Jeanine T. Abraham, Medium.com 

“Karen Chapman’s tender and empathetic Village Keeper... her love for the people in front of her camera evident in every frame.”
— Brian Tallerico, RogerEbert.com

“A heartfelt portrait of a family in Toronto’s underprivileged Thorncliff community deals with generational trauma and the insidiousness of grief.”
— Collider

“Village Keeper isn’t a film about Black trauma; it’s a celebration of and journey towards Black healing.”
— Kevin Bourne, SHIFTER Magazine 

“What happens when the caretaker needs the most care? Village Keeper was one of our highlights... and it did not disappoint.”
— Stacey Yvonne, Black Girl Nerds

“Chapman’s ability to balance the delicate tightrope of emotions the film walks is aided by the sensational performance by Olunike Adeliyi.”
— Courtney Small, Cinema Axis

UPCOMING SCREENINGS

From the new South Africa comes this double feature focusing on the struggle of Black South Africans - both those who lived in exile and those who stayed home - to find their place in their country after apartheid.

NOTHING BUT THE TRUTH

Nothing But the Truth (John Kani, 2008, 78 mins.), which is based on the award-winning, long-running play by director and actor John Kani, explores the complex dynamic between those who risked their lives to remain in South Africa to end apartheid and those who lived in exile to bring attention to the cause. In New Brighton, librarian Sipho Makhaya prepares for the return of his brother’s ashes. His brother had gained a reputation as a hero of the anti-apartheid movement while Sipho spent most of his life on the front lines.

HOMECOMING 

Homecoming (Norman Maake, 2005, 90 mins.), a film version of the hit mini-series, follows three veteran soldiers of the African National Congress who return to South Africa after years in exile to pick up the pieces of their lives and careers. Charlie wants to open a club; Thabo struggles to reacquaint himself with his wife and family; and Peter remains in politics to uncover the hard truths about those who betrayed the ANC. In English.

John Kani/Norman Maake---South Africa---2008/2005---168 mins.

WAALO FENDO: WHERE THE EARTH FREEZES

Walter Rodney: What They Don't Want You To Know

An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the British Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of colonialism, and its impact on the modern world.

"Walter Rodney" is a compelling documentary that delves into the life and legacy of Dr. Walter Rodney, a prominent historian, activist, and champion for civil rights. Through a series of enlightening interviews and footage captured across Guyana, Barbados, Jamaica, Tanzania, the United States, and the United Kingdom, the film presents a comprehensive portrait of a man who dedicated his life to fostering unity in the face of adversity. Rodney's ideals and struggles continue to resonate with contemporary global movements for social justice and equality.

In 1980, Walter Rodney's life was tragically cut short in Guyana, South America, as a result of actions taken by the oppressive government of Forbes Burnham, which was supported by the CIA and MI5. Four decades after his untimely death, the Guyanese government has finally acknowledged the state's involvement in his assassination, shedding light on a dark chapter in the nation's history.

This is the first film where Walter’s widow reveals the personal impact on the family of Walter’s assassination. Contributors include Angela Davis, Gina Miller, former President of Guyana Donald Ramotar, Edward and Donald Rodney, and Walter’s wife Patricia Rodney, as well as prominent historians.

The film premiered at the British Film Institute's largest screen to a sell-out audience of 450, the BFI is Britain’s most prestigious film organization. 

Directed by Arlen Harris and Daniyal Harris-Vajda, UK, 2023, 72min, Documentary in English. Special thanks to The Walter Rodney Foundation and the Ameena Gafoor Institute.

White Lies Trailer - ArtMattan Films

WHITE LIES

WHITE LIKE THE MOON 

WHITE LIKE THE MOON 

WULU Trailer from ArtMattan Films on Vimeo.

WÙLU

Shot for a good deal of the time using hand-held cameras, WÙLU is an African thriller that has an urgency and a vibrancy most Western made films lack.

Ladji, (a beautifully understated Ibrahim Koma), is the young man who, after losing his job on the cross-border taxis, takes up smuggling cocaine with lucrative if highly dangerous results.

A social commentary about the impact of corruption on intelligent, hard working African youths looking to improve their standard of living at home.

Official Selection TIFF 2016.

Directed by Daouda Coulibaly, 2016, France/Mali, 95min, crime drama, French w/ English subtitles

"In Wùlu, Malian cinema has found a promising and intriguing new voice." ~ Pamela Pianezza, Variety

"The film's foretold but very understated ending, which keeps a key moment offscreen to devastating effect, again confirms that Coulibaly is a talent to watch." ~ Boyd van Hoeij, Hollywood Reporter

"Coulibaly's Wùlu is a well-acted, fast moving, episodic depiction of some of the issues in contemporary Africa." ~ Alexa Dalby, Dog and Wolf

"A rags-to-riches crime saga like you won't see anywhere else." ~ Brent McKnight, The Last Thing I See

Demba is an African who has fled an oppressive regime in his own country and is seeking asylum in Paris. One night he encounters Lucien, a policeman from the Caribbean, who speaks to him in the voice of the dominant class. But in his country Demba is a professor of History and Geography while Lucien left school early to help his mother, a cleaning lady.

“YAFA Le Pardon” explores the social and economic dynamics at work in their relationship as they seek to understand each other, aided by Welcome, a Baule Komian who does not hesitate to officiate as the parties meet on the Quai de l’Oise, in the centre of Paris.

Directed by Christian Lara, France, 2019, 85 Minutes, drama, French with English subtitles

Zora Neale Hurston: Jump at the Sun, directed by Sam Pollard, is an illuminating documentary that captures the life and legacy of one of the most significant African American writers of the 20th century, Zora Neale Hurston. The film takes its audience on a journey through Hurston's eventful life, from her early years in Eatonville, Florida, to her pivotal role in the Harlem Renaissance. It delves into her works, her unique storytelling style that blended folklore with rich depictions of African American life, and her contributions to African American literature. The documentary also addresses the challenges Hurston faced, including her struggle with financial instability and her controversial viewpoints that often placed her at odds with the mainstream civil rights movement. Through interviews with scholars, contemporaries, and excerpts from her own writings, Pollard's film pays homage to Hurston's indomitable spirit and enduring impact on literature and African American culture.

Directed by Sam Pollard, 2008, USA, 84 Min, Documentary, English

"Zora Neale Hurston: Jump at the Sun is a moving interpretation of Zora Neale Hurston's life and career. In fact, a viewer can easily sit halfway through the eighty-four-minute film and forget one is watching a documentary," ~Project Muse

"Kudos to Bay Bottom News and American Masters for their professional production, and for bringing to light an amazing and long overdue story of a legendary icon and storyteller of the Harlem Renaissance and beyond,"~ Pennsylvania State University