SYNOPSIS

A fascinating film on the rhythmic dance genre known as Rumba, La Ultima Rumba de Papa Montero dances around the life of Papa Montero, one of the famous rumberos of Cuba, assassinated during carnival. A discovery of Cuban traditions and every day life told through beautiful images, sensual music and dance. The use of Afro-Cuban mythology is the force behind the characters as orishas guide the characters' fate.

SYNOPSIS

Placido portraits the dramatic story of Gabriel de la Concepcio Valdes (Placido), a mulatto Cuban poet accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid XIX century, Placido was executed after living a short and controversial life as a man between two races and between a cruel reality and a dream of freedom.

SYNOPSIS

The name ‘Natal da Portela’ is historically attached to the cultural identity of Brazil. Natal da Portela created the first escola de samba in Rio de Janeiro. The schools of samba are the soul of carnival in Brazil and major reservoirs of Afro-Brazilian culture. The film depicts the life of Natal da Portela as a young man from the favelas--the slums of the northern part of Rio de Janeiro--up to the creation of “la Portela”, the school of samba he created. The principal role played by Milton Goncalves, one of the major Black actors in Brazil, gives the story an authentic flavor rarely seen in films portraying the contemporary life of Black people in Brazil. This is a film filled with joy, music and laughter. “Natal da Portela” is also a film that narrates the story of contemporary Brazil and the legacy of African people in that country. Several other major actors enrich the story, Zeze Mota well known for her role in “Quilombo” and the dean of Black Brazilian actors, the great Grande Otello much remembered for his major role in Rio Zona Norte and Macunaima just to mention a few titles.

SYNOPSIS

Maluala takes us into a palenque, a settlement of escaped slaves hidden somewhere in Cuba's eastern mountains, where discord is sown between black "kings" by clever subversives working for the Spanish government.

"Sergio Giral is the best known of the Black Cuban directors and his previous films were historical observations of the period of slavery in Cuba, the gradual rise of rebellion against colonial traditions, and the ultimate freedom that resulted. Maluala is the most striking addition to this genre. The action takes place during the last century in the region of Maluala. Gallo, the black chieftain, together with his cohort, Coba, present a petition for land and liberty to the colonial government. Governor Escudero offers liberty if the rebellious villages will be dismantled and their men offer themselves in surrender. He promises that they will be freed shortly thereafter. Three chieftains agree, but Gallo and Coba refuse... Giral has mounted Maluala with colorful ritual and acting. Samuel Claxton, as Gallo, is highly stylized in the heroic tradition. It is an absorbing adventure film wrought from historical events which appear violent, but Giral constantly implants into every image the necessity for unity among people in order to combat man's seemingly casual desire to subjugate mankind, in the struggle for power and undefined ambition." 
~ /San Francisco Film Festival, 1980/

"The historically lucid intrigues of Maluala (1979), where the Afrocentric leadership of fugitive palenque communities is pitted against each other COINTELPRO-style by Spanish colonists, is one of those Cuban films that were forged in a righteous, red-hot ferment but still found the courage and wit to ask questions about the society around them." ~ Gary Dauphin, The Village Voice

SYNOPSIS

Tomas,an Afro-Colombian teenager who fled the country's Pacific coast pushed out by the war, faces the difficulties of growing up in a city if exclusion and racism. When Jairo, his younger brother and closest friend disappears, Tomas plunges in the streets of the city. His search becomes an initiatory journey that compels him to face his past and to leave aside the influence of his is brothers in order to find his own identity. Through this journey, Tomas reveals a unique perspective of a vibrant and unstable city that, like Tomas, stands on the threshold between what once was and what might be.

SYNOPSIS

A Mexican-American girl struggles to keep her identity when her mother forces her to bleach her skin. White Like the Moon is a revealing film about a dilemma not very well known outside Latino communities; that of the myth of the light skin superiority in Indigenous and Indigenous descendant communities.

SYNOPSIS

The action takes place in a village on the Venezuelan coast, a place of fishermen and big haciendas. Jose Ramon, son of a white aristocrat and a humble black fisher-women, is trying to define his own identity while dealing with social and sexual conflicts, power, culture, the law, and the impossible relationship he has with both his parents.

A documentary film about the taboos, stereotypes, and struggles of Black actors in Brazilian television "soaps." Based on his own memories and on a sturdy body of research evidence, the director analyzes race relations in Brazilian soap operas, calling attention to their likely influence on Black people's identity-forming processes. 

"As a sociological dissection on how popular entertainment can shape racial prejudice and help to build racial justice, 'Denying Brazil' is a strong and significant work of intelligence."  - Phil Hall, Filmthreat

More than two hundred years ago, there was an influx into Uruguay of enslaved Africans whom, after being freed, continued to make up the poorest and most marginalized strata in society. Fernando Nunez, a black man, a musician, and a maker of drums, sees himself as the heir to "Candombe", an important social and cultural legacy from his enslaved forefathers.  The official history and culture of Uruguay, on the other hand, which has never acknowledged this contribution to the degree which it deserves, continues to marginalize expressions of black culture. Fernando Nunez and his friends from the Barrio Sur back street quarter of Montevideo have decided to fight to keep these important cultural roots alive in the consciousness of the Uruguayan people.

SYNOPSIS

Aboliçao is a startling look at the racial situation of Black Brazilians in contemporary Brazil. The director asks the following question to Black Brazilians from diverse walks of life -- musicians, politicians, activists, people in government, ambassadors, social workers, sport stars, actors, street kids, farmers, etc… -- “We are celebrating 100 years since the abolition of slavery in Brazil, what does the abolition of slavery mean to you?”… Divided in sections addressing political, economic, social and cultural issues, Aboliçao contributed to a new analysis of the Black experience in Brazil. An indispensable title to have in a library for the study of the Black presence in Latin America.

SYNOPSIS

Loving and revealing documentary about Afro-Brazilian scholar/writer/activist /politician Abdias do Nascimento (1914-2011), a significant figure in and leader of Brazil’s Black movement who founded the Black Experimental Theater in 1944 and was very active in the international Pan-African Movement.